My Romance, a Smokescreen

Copyright © 1993 by David Reitzes

 

Act One

ANDY, a young man
MONICA, a young woman
NANCY, a young woman
HEWITT, an old man
YORK, an old man
TAYLOR, an old man
WISE OWL
FLOWERS
TREES
FOREST CREATURES
CITIZENS
BOY
FOUR WOMEN
VOICE OF LATIN INSTRUCTOR

 

A park. TREES. WOMEN stand motionless, staring blankly. BOY sits by a phonograph, lifting the needle onto the turntable. A scratchy old record is heard.

 

VOICE

Probitas! Cum me de probitate colloqui non!

 

BOY

Probitas! Cum me de probitate col --

 

VOICE

Honesty -- don't talk to me about honesty.

Salve. Non sum tua mater.

 

BOY

Salve. Non sum tu --

 

VOICE

Good morning. I am not your mother.

 

Record fades. BOY disappears as WISE OWL enters.

 

WISE OWL [Assured, pitchman-like tone.]

Life.

 

Snaps his fingers. Lights flash.

 

WISE OWL

Death.

 

Claps hand. Blackout.

 

[In darkness.] It's just that simple.

ANDY'S VOICE

I was in the City of Women for a thousand days and nights. I don't know what went wrong.

 

Lights up. MONICA, ANDY enter.

 

MONICA

Andy, look -- you're a really nice guy.

 

ANDY

Don't. You don't know how I feel about you. Maybe I haven't said it the way I'm supposed to.

 

MONICA

Don't.

 

ANDY

I love you. Did you hear me?

 

MONICA

Andy, this is killing me. You are killing me. You just don't know. You think you're loving, but you're killing.

 

ANDY

How can you say that? How can you say that to me? Killing you? I am love, and light, and -- watch this.

 

Quickly surveying the area, he touches the ground in a few key places. At each spot a FLOWER blooms. TREES, FLOWERS break into a dance of life, generous in its spirit of discovery, at times skittish in its newfound joy. When it ends, ALL freeze. THE FOUR WOMEN remain oblivious.

 

ANDY

See? You see?

 

Abruptly, FLOWERS, TREES fall dead. ANDY looks from one to the other. After a beat, BIRDS, FOREST CREATURES fall dead. Horror-stricken, ANDY casts about for some explanation. With a pleading look he turns to MONICA, who remains unmoved. Touching him on the cheek, she turns and exits. He stands silently, dejectedly. WISE OWL hovers about, surveying the carnage.

 

ANDY'S VOICE

I played Monopoly once. It was nothing.

 

WISE OWL pulls out a sheaf of papers.

 

WISE OWL

Chemistry, my boy. Simple chemistry.

 

Shows him a diagram to prove it.

 

Yup. Nothing complicated here.

 

ANDY

Chemistry? Two people meeting and falling in love is not chemistry. Now, if you love someone, and your love makes them love you, that's chemistry.

 

WISE OWL [Rummaging through his papers.]

I believe that would be more like alchemy.

 

ANDY

Alchemy -- don't talk to me about alchemy. Like photography -- the image is imprinted on the paper, but it looks blank until you develop --

 

WISE OWL

What? What did you say there?

 

ANDY

M-me? I didn't say anything.

 

WISE OWL

Is that so? Photography just a game to you, boy?

 

ANDY turns, having noticed the WOMEN glaring at him. With solemn expressions, they each produce a camera, take aim, and snap a flash picture of him. In one uniform gesture each extends the photo to him with a flourish.

 

FIRST WOMAN

You don't know how I feel about you.

 

ANDY

Wait -- you don't understand.

 

She falls dead.

 

SECOND WOMAN

Maybe I haven't said it the way I'm supposed to.

 

ANDY

Hold on a minute. Hey!

 

She falls dead. WISE OWL looks away.

 

THIRD WOMAN

I love you. Did you hear me?

 

ANDY

No! Oh, Wise Owl, tell them!

 

She falls dead. WISE OWL flips through his papers.

 

FOURTH WOMAN

Good morning. I am not your mother.

 

ANDY

What are you doing? Don't leave me here alone.

 

She falls dead. WISE OWL whistles tunelessly.

 

My God, am I going to kill you all?

 

He exits, running. WISE OWL coolly collects the photos. Blackout.

 

ANDY'S VOICE

If I were in charge, things would be a lot simpler.

 

Spotlight follows ANDY as he enters, dressed as God.

 

ANDY'S SONG

I put you in the garden
Wasn't good enough for you
I sent down the flood
You all said, What did we do?
You tell me you love me
But your words just don't ring true
(You know what I think)
You don't know what love is
You don't know what love is

You break another promise
With every passing breath
Look what you did to my son
When he spoke from Nazareth
All he said was love your enemies
Yeah, you love 'em half to death
You don't know what love is
You don't know what love is

People often ask me
Jehovah, what's the use?
Let's just drop the big one
Let's turn off the juice
Well, I'm a fool to want you
So I ain't got no excuse
But I'm going to tell you one more time
I'm going to tell you one more time

I could have left you in bondage
For all it means to you
So you can keep your Christmas cards
Your Hail Marys, too
Until you know the kind of hurt
Your put your saviour through
You don't know what love is
You don't know what love is
You don't know what love is.

 

The mood holds for a beat, then the lights come up, loud cheers and applause are heard, he smiles and bows, and merry music plays. He waves and blows kisses for a moment, then exits as the sounds and lights fade.

 

ANDY'S VOICE

I was in the City of Women for a thousand days and nights. I don't know what it is they thought I wanted.

 

Lights up. WISE OWL reads from a large storybook as ANDY enters, pacing agitatedly. Music begins slowly.

 

WISE OWL

Once upon a time there lived a king. All this king ever wanted was to be loved, and he prayed to God to make everyone he touched love him.

 

CITIZENS enter and swarm happily around ANDY, who is momentarily caught up in the dance. The music quickens.

 

But something went wrong.

The music stops. CITIZENS freeze.

 

The people he touched all died.

 

CITIZENS all fall dead.

 

ANDY

What's going on here? I'm not the stupid King!

 

WISE OWL

Oh, no?

 

CITIZENS start to get up.

 

WISE OWL

You look like the King. [Consulting photos.] I could have you confused with someone else. Doesn't he look like the King?

 

CITIZENS buzz in agreement.

 

I think you're --

 

ANDY

I said I'm not the goddamn King, and if you don't leave me alone, I'm going to pound your puny skull!

 

Fanfare.

 

CITIZENS [Brightening.]

Your Majesty!

 

They converge upon him as the music starts again. WISE OWL beams. ANDY howls, fighting off the crowd.

 

ANDY

I don't -- I didn't ask to be the King. Oh, tell me, Wise Owl -- what's wrong with me?

 

WISE OWL

Ask me what's the most important thing in comedy.

 

ANDY

What?

 

WISE OWL

Ask me what's the most important thing in comedy.

 

ANDY

What's the most important th --

 

WISE OWL

TIMING!!! Ha ha, I love that bit! No, what's the one about the two blondes? The punchline is Men. One of them says something, and the other asks her a question, and then the punchline is Men. It's a cut on men, see, 'cause they're always telling those blonde jokes. You think it's going to be one of them . . . [Ad lib as needed.]

 

CITIZENS gather around WISE OWL, laughing hysterically. ANDY sadly hangs his head, slowly turns, and exits. Sounds and lights fade. In the darkness an old record fades up.

 

I see your face in every flower
Your eyes in stars above
It's just the thought of you
The very thought of you
My love.

 

Fades. Blackout.

 

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